Showing posts with label Shakespeare and Friends. Show all posts
Showing posts with label Shakespeare and Friends. Show all posts

Apr 7, 2013

1600 Album


The album 1600 was built around five songs that were recorded for Witchcraze and not entered in the final CD, because they had not found the right place in relation to other pieces. These are two compositions by John Dowland, one of Fabritio Caroso and two dances composed by anonymous authors. Besides these, on 1600 have entered a previously recorded suite by Robert Johnson in 1998 for the concert album From the Castle to Another and then in the same year in the studio for D'Un Chateau L'Autre (eventually published in Shakespeare & Friends), and seven studio tracks appeared on previous albums, plus a live piece. The album is unified, despite the fact that the material belongs to several recording sessions and are conducted over time in different studios. The compositions are from year 1600, as shown by the elliptical title chosen for the album. The material, gathered under one name, aims to integrate in a consistent CD some parts already completed, but also to mark the collaboration with several musicians who had passed through the band without having appeared on any album.


Shakespeare & Friends Album

After the (thematic) inclusion of two thirds of the project D'Un Chateau L'Autre in the promotional album Omina Prima in 1999, the next year was dedicated by Nomen Est Omen to the integration of the (remaining) eight songs in a album that would highlight them properly. These are the dances and the ballets of Robert Johnson (c. 1583 – c. 1634), composed for the play of William Shakespeare, The Tempest. The resulting album, like the previous two, is one not for sale, for promotion only. The idea of his name, Shakespeare & Friends, was inspired by a concert held by Grave Muller Consort in Göteborg, where Mihai Plămădeală attended; that concert repertoire consisted of compositions by George Frideric Handel and some of his contemporaries. On the album Shakespeare & Friends, along with the mentioned suite of Robert Johnson were included works from the Elizabethan period in circulation during the life of “the Bard of Avon” and that he possibly, even likely, might have heard it. The additional songs are from Nomen Est Omen’s concerts.